Boris Pasternak esset secun religion judeic. Il studiat in Moscva filosofie. Per viages e studies in Germania e Italia Pasternak decidet devenir poet e scritor. Il esset un representante de futurisme e simbolisme . Li unesim libre de Boris Pasternak esset li colection de poemas Mi sestre, vive quel il scrit in li annu 1917, ma esset publicat in
Boris Leonidovitch Pasternak (en russe : Борис Леонидович Пастернак, / b ɐ ˈ r ʲ i s l ʲ ɪ ɐ ˈ n ʲ i d ə v ʲ ɪ t ɕ p ə s t ɨ r ˈ n a k / [1]), né le 10 février 1890 (22 février dans le calendrier grégorien) à Moscou et mort le 30 mai 1960 à Peredelkino, près de Moscou, est un poète, traducteur et
Poemas de Boris Pasternak. Boris Pasternak nació el 10 de febrero de 1890 en Moscú. Fue criado en el seno de una familia culta de origen judío. Cursó estudios en las universidades de Moscú y de Marburgo (Alemania).
Pasternak’s “moving entireness” in Doctor Zhivago begins with the 10-year-old Yury Zhivago attending his mother’s funeral in a driving snowstorm, imagistically uniting human destiny and the vitality and power of nature that threaten to engulf and overwhelm the individual. This theme of the survival of the individual will be orchestrated in his third book of poetry, in The Twelve, in death – the same. 3 Wide, wide, wide, river and field stretch away. It’s haymaking time it’s communal work today. And the mowers at the bend have no time to stand and gaze. The mowing made Blok wild, the young squire grasped a scythe, missed a hedgehog at a swipe, then two
The book includes the poems from Dr. Zhivago and all he wrote after diat. Translations face Russian texts of the poems. It was Pasternak's first inten­ tion to use the title V pereryve ("In the Interlude") for one of his late collections, but it was not supposed to contain the Zhivago poems (see p. 268
Born in London, editor, critic, and poet Jon Stallworthy earned his B.Litt and MA at the University of Oxford, where he won the Newdigate Poetry Prize. A reviewer for Critical Quarterly praised his first collection, The Astronomy of Love (1961), with the observation that Stallworthy shows “a gift few poets possess, and which all poets wish for—the ability to strike out a memorable and
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